Strymon Timeline VS Eventide TimeFactor (Comparison)
Our pick: The Strymon Timeline
Though TimeLine and TimeFactor have a similar roster of features, we like the tone of the TimeLine algorithms better and are generally more trusting of the Strymon brand. We'd also have to give Strymon some credit for getting us the TimeLine for $50 less than the TimeFactor.
You've got to split some hairs when it comes to a comparison like the TimeLine and TimeFactor delay pedals, as they're extremely similar setups. They're both an advanced digital delay modeler, in the same vein as the Line 6 DL4, but with a lot more versatility. But we've found that with Strymon you just get a little bit more for a little less money.
The TimeLine has more presets, more delay algorithms, and a slightly cheaper price tag.
Not only that, but we prefer the tone of the TimeLine over the TimeFactor, which is a purely subjective call on our part, but perhaps worth your consideration since we analyze a lot of pedal tones and try to give opinions that are as objective as possible..
For these reasons, the TimeLine is a better overall value.
Strymon TimeLine VS Eventide TimeFactor: Direct Comparison Table
Use this table to compare the TimeLine and TimeFactor delay pedals. This chart includes some simple information like pricing and basic features, along with Sweetwater buttons for shopping gear and supporting our site at no extra cost to you.
Pedal | Title | Rated | Browse |
|---|---|---|---|
| Strymon TimeLine | n/a | |
 | Eventide TimeFactor | n/a |
Watch the Comparison
Demo Comparison (no talking)
We think there are some pretty clear differences between the tones of these two pedals. The Strymon TimeLine sounds more ethereal and smoother, while the TimeFactor is a little more brisk and aggressive.
Detailed Comparison Table
From our more detailed comparison table, you can see that the TimeLine slightly outpaces the TimeFactor in three important categories. It has more onboard presets, more delay algorithms, and a longer looper. Spec sheets don't always tell the whole story, but in this case we see again - clearly - that Strymon gives you a little more value.
Header | Timeline | TimeFactor |
|---|---|---|
Pedal Type | Digital delay | Digital delay |
Presets | 200 onboard presets | 20 onboard presets (unlimited via MIDI) |
Algorithms | 12 delay sounds | 10 delay sounds |
Effects types | Ambience (digital delay) | Ambience (digital delay) |
Looper | Stereo, 30 seconds | 12 seconds with VariSpeed |
Inputs | 2 x 1/4" stereo | 2 x 1/4" |
Outputs | 2 x 1/4" | 2 x 1/4" |
MIDI | In/Out | In, Out/Thru |
Height | Not listed | 2.12" |
Width | 6.75" | 7.5" |
Depth | 5.1" | 4.8" |
Weight | Not listed | 2.15" |
Which one is better?
As with any comparison, there's some subjectivity involved with this process.
You might find the Eventide TimeFactor to be a better fit for you if you just like the overall tone and the algorithms better. The TimeFactor is a little more brash and rhythm-focused, while the TimeLine is gentler and more ethereal. The TimeLine is also better as a general ambience pedal (delay plus reverb trails), while the TimeFactor is more strictly a delay.
But we've sough to be as objective as possible when assessing these two pedals, and we think the TimeLine is going to have more appeal to a greater amount of people.
Given the cheaper price tag, it's our pick between the two.
If you have questions about our Strymon TimeLine VS Eventide TimeFactor comparison, feel free to drop us a line in the comments section below and we'll chat about it.
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