Blue on Black Tone and Amp Settings Resource
Amp, Guitar, and Pedals
Song: Blue on Black
Artist: Kenny Wayne Shepherd
Amp Model/Style: Fender Super Reverb
Guitar Type/Style: Fender Stratocaster
Pedals/Effects: Overdrive, Delay, Reverb

Blue on Black Amp Settings Suggestions
- Amp Model: Fender Super Reverb (4 x 10″ speakers, all-tube, blackface circuitry)
- Volume: 6 (Gives a slightly overdriven blues tone at gigging volume)
- Treble: 7.5 (Bright and articulate, allows leads to cut through)
- Middle: 6 (Keeps the tone warm without getting too honky)
- Bass: 4.5 (Tightens up low-end for clear rhythm playing)
- Reverb: 3 (Just enough ambiance without washing out notes)
- Vibrato Speed: 0 (Turned off, not needed for this song)
- Vibrato Intensity: 0 (Turned off)

Set your amp's output first (master), channel volume, then your EQ.
Additional Guitar and Amp Tone Tips
1. Volume
- Set your guitar’s volume knob close to maximum (8–10) to drive amp input.
- Control dynamics with feel and picking intensity rather than rolling off volume mid-performance.
- Use volume swells for expressive solo phrasing, similar to blues-rock techniques.
2. Tone
- Keep the tone knob around 6–8 for a warmer, smoother feel while maintaining definition.
- Lower it slightly for rhythm parts or cleaner bluesy textures.
- Raise it slightly toward full (10) for lead parts to cut through the mix with clarity.
3. Pickup Selector
- Use the bridge pickup or bridge-mid combo for sharp, biting overdrive leads.
- Switch to the neck pickup for smoother, sustained solo tones with a rounder edge.
- The middle pickup alone is less common, but can be used for a slightly scooped blues rhythm tone.
4. Humbucker or Single Coil Preferred?
- Humbuckers are preferred for achieving the thicker, warmer gain tones heard in the studio version.
- However, single coils can replicate the tone live with appropriate amp and pedal settings, especially if using a hotter single coil or mini humbucker.
- Consider using a Strat with a humbucker in the bridge position (HSS setup) for versatility.
5. Ideal Guitar Type – Fender Stratocaster
- A Fender Stratocaster, preferably with a humbucker in the bridge (HSS), closely matches Shepherd’s tone for this song.
- Maple or rosewood fingerboard can both work, with personal preference guiding feel and brightness.
- Use medium-jumbo frets for easier bending and bluesy vibrato techniques.
Tone Engine Logic Analysis
Classic Texas blues tone. Gain at 5, delay short and warm.
Potential Technical Conflicts/Concerns
Strat into Super Reverb is bright—cut treble or push mids.
Gear Recommended for Covering Blue on Black
- Gibson Les Paul Standard: Offers thick, warm sustain ideal for Kenny Wayne Shepherd’s lead tones.
- Dumble Overdrive Special amp (or clone like the Fuchs ODS): Key to achieving that smooth, responsive overdrive tone.
- Ibanez TS808 Tube Screamer: Used to push the amp for subtle mid boost and creamy overdrive.
- Boss DD-3 Digital Delay: For slapback and subtle ambient delays on lead parts.
- Vox Wah (V847): Used occasionally for expressive phrasing in solos.
- Fender Stratocaster (for alternate tonal option): Great for cleaner lines and glassy neck pickup tones.
Expanded Suggestions and Best Practices
- Use moderate gain for gritty but defined tone on rhythm guitar.
- Set amp EQ to emphasize mids and slightly cut highs (e.g., Bass 5, Mid 6, Treble 4).
- Prefer bridge humbucker pickup for main riff and solos.
- Use delay with short feedback and mix at ~25% for solos.
- Keep reverb subtle to maintain clarity.
- Use a blues overdrive pedal (e.g., Tube Screamer) for lead boost.
- Volume roll-off on guitar for cleaner verses without changing amp settings.
- Set compressor for light sustain enhancement (low ratio, medium threshold).
- Tune guitar to standard E; use medium-gauge strings for full tone.
- Palm mute power chords in verse sections for dynamic contrast.
More Amp and Tone Settings Resources
Written by Bobby Kittleberger on Amp Settings
Written by Bobby Kittleberger on Amps & Roundups
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