Far Behind Tone and Amp Settings Resource
Amp, Guitar, and Pedals
Song: Far Behind
Artist: Candlebox
Amp Model/Type: Mesa/Boogie Rectifier
Guitar Type/Style: Electric (Les Paul-style)
Pedals/Effects: Overdrive
Far Behind Amp Settings Suggestions
- Bass: 6
- Mid: 4
- Treble: 6
- Gain: 7
- Presence: 6
- Master: 5
- Channel: Modern (on Mesa/Boogie Dual Rectifier)
- Rectifier Mode: Silicon Diodes (for tighter response)
- Output Level: as needed (use for overall volume control)
- Solo Level: off or 5 if using Solo Boost

Set your amp's output first (master), channel volume, then your EQ.
Guitar-Related Tone Tips
1. Volume
- Set guitar volume knob to full (10) for maximum signal output.
- Use your amp gain to control overall drive instead of rolling back guitar volume.
- Pedal-board users may use a slight boost pedal for solos or dynamic lift.
2. Tone
- Keep tone knob on guitar around 7–8 to maintain warmth without getting too muddy.
- On the amp, set bass to around 5, midrange around 7, and treble around 6 for 90s grunge clarity and presence.
- Consider using a slight overdrive to push the signal into a gritty but controlled distortion.
3. Pickup Selector
- Use the bridge pickup for main rhythm parts for a tighter, more aggressive sound.
- Switch to the neck pickup for solos or clean arpeggios to add warmth and smoothness.
- Middle position (both pickups) can work well for layered chords or to balance grit and fullness.
4. Humbucker or Single Coil Preferred?
- Humbucker pickups are preferred to achieve the thick, saturated grunge tone found on “Far Behind.”
- They provide smoother distortion and reduced noise compared to single coils.
- Ideal for capturing the warmth and depth of Kevin Martin and Peter Klett’s guitar tones.
5. Ideal Guitar Type (Electric, Les Paul-Style)
- A Gibson Les Paul or similar-style guitar is ideal — featuring dual humbuckers and a mahogany body.
- The heavier body provides sustain and resonance suited to the track’s thick, melodic tone.
- Similar alternatives include ESP Eclipse, PRS Singlecut, or Epiphone Les Paul models.
Gear Recommended for Covering Far Behind
- Gibson Les Paul Standard: Warm, thick tone ideal for grunge rhythm and lead parts
- Fender Twin Reverb: Clean amp platform with rich breakup when pushed
- Boss DS-1 Distortion: Classic distortion pedal for gritty, focused crunch
- Electro-Harmonix Big Muff Pi: Adds sustain and fuzz-like character for solos
- Dunlop Cry Baby Wah: Useful for expressive leads and dynamic control
- MXR Phase 90: Adds subtle movement during clean passages
- Ernie Ball Regular Slinky Strings (10-46): Balanced tension for grunge playing and bends
- Boss TU-3 Chromatic Tuner: Roadworthy tuner for quick and accurate tuning
- Pedaltrain Classic 2 Pedalboard: Plenty of space for pedals and easy cable management
- Planet Waves Instrument Cables: Reliable cables with good signal clarity
Tone Tips and Best Practices
- Use a bridge pickup with medium to high output for clarity and bite.
- Set gain to moderate—aim for light distortion with note definition.
- Dial bass around 4-5, mids at 6-7, treble around 7 for presence.
- Add a touch of reverb to emulate natural amp ambiance.
- Use light compression to maintain sustain and pick dynamics.
- Slight chorus effect can help mimic original studio depth.
- Use a pick and moderate attack to replicate gritty rhythm tones.
- For leads, add a mild boost or overdrive to cut through mix.
- Tune down half-step (Eb tuning) to match original recording.
- Match pickup settings and tone control positioning for each section.
More Amp and Tone Settings Resources
Written by Bobby Kittleberger on Amp Settings
Written by Bobby Kittleberger on Tone & Amp Settings
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