Outside Tone and Amp Settings Resource
Amp, Guitar, and Pedals
Song: Outside
Artist: Staind
Amp Model/Type: Fender DeVille
Guitar Type/Style: Acoustic / Electric
Pedals/Effects: Reverb
Outside Amp Settings Suggestions
- Bass: 5
- Mid: 6
- Treble: 6
- Presence: 4
- Reverb: 3
- Drive: 7
- Volume: 5
- Bright Switch: Off

Set your amp's output first (master), channel volume, then your EQ.
Guitar-Related Tone Tips
1. Volume
- Set your guitar volume to full (10) for both acoustic and electric.
- Use your amp’s volume to control overall loudness, keeping dynamic control for emotional expression.
2. Tone
- Roll the tone knob slightly back (around 7-8) for a warmer sound on electric guitars.
- Dial in a balanced EQ on the amp: Mid-heavy, with some low-end presence and moderate highs to avoid harshness.
- Use light reverb and subtle chorus for ambient depth in clean electric sections.
3. Pickup Selector
- Use the neck pickup for a smoother, warmer, and more emotional tone during clean passages.
- Switch to the bridge pickup or middle position if using moderate overdrive for chorus sections.
4. Humbucker or Single Coil Preferred?
- Humbuckers are preferred for their fuller, darker tone and noise reduction—ideal for Staind’s post-grunge style.
- Single coils can be used for more clarity but may sound too thin for capturing the full feel of “Outside.”
5. Ideal guitar type which is a Acoustic / Electric
- Start the song with an acoustic-electric guitar for the iconic intro and verses—use a dreadnought body for fullness.
- Switch to a humbucker-equipped electric guitar for the heavier chorus and later sections—Les Paul or PRS style preferred.
- Ensure the acoustic guitar has a good quality pickup system or use a microphone for recording/live sound.
Gear Recommended for Covering Outside
- Ibanez RG Series: Ideal for aggressive rhythms and fast solos with high-output pickups
- Peavey 6505+ Head: Delivers tight, saturated distortion perfect for nu-metal tones
- Mesa/Boogie Rectifier Cabinet: Matches well with high-gain amps for a full, heavy low end
- Boss NS-2 Noise Suppressor: Essential for eliminating feedback and noise during high-gain sections
- Dunlop Cry Baby Wah: Great for expressive lead lines and dynamic textures
- Ernie Ball 10-52 Strings: Heavier strings help maintain tension for drop tuning while preserving clarity
- Line 6 DL4 Delay Modeler: Adds ambient tail to clean parts for a layered sound
Tone Tips and Best Practices
- Use a bright, slightly overdriven clean tone with moderate compression.
- Set amp EQ with high mids and presence to cut through the mix.
- Apply reverb subtly to add space without washing out articulation.
- Use a bridge pickup for rhythm parts to enhance attack and clarity.
- Switch to neck pickup with tone rolled back slightly for lead melodies and solo lines.
- Use a light overdrive pedal for solos to sustain without distortion saturation.
- Use delay with short feedback and low mix for added depth on ambient sections.
- Keep modulation minimal; light chorus optional for verses if present in original recording.
- Match picking dynamics closely to the original performance for authentic feel.
- Ensure guitar sits well in the mix by carving out clashing frequencies with EQ.
More Amp and Tone Settings Resources
Written by Bobby Kittleberger on Amp Settings
Written by Bobby Kittleberger on Tone & Amp Settings
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