Red House Settings Resource
Amp, Guitar, and Pedals
Song: Red House
Artist: Jimi Hendrix
Amp Model/Type: Marshall Plexi
Guitar Type/Style: Electric (Strat-style)
Pedals/Effects: Fuzz, Wah
Red House Amp Settings Suggestions
- Bass: 5
- Middle: 7
- Treble: 6
- Presence: 6
- Volume I: 7
- Volume II: 0

Set your amp's output first (master), channel volume, then your EQ.
Guitar-Related Tone Tips
1. Volume
- Set amp volume high enough to allow for dynamic playing—clean to gritty based on picking attack.
- Guitar volume knob should be set between 7–10 for flexibility and slight breakup.
- Use volume changes on the guitar itself to shift between clean and driven blues tones.
2. Tone
- Keep the tone control on the guitar rolled back slightly (around 6–8) for a warmer, smoother blues tone.
- Use amp EQ: Bass around 5–6, Mids at 6–7 for depth, Treble around 5 to avoid harshness.
- Add subtle reverb for ambiance, but avoid excessive effects.
3. Pickup Selector
- Use neck pickup for a warm, rounded tone—ideal for blues leads and bends like in “Red House.”
- Alternatively, blend neck and middle pickups for added clarity while maintaining warmth.
- Bridge pickup is typically not used for this tune; too bright for the desired tone.
4. Humbucker or Single Coil Preferred?
- Single coil pickups are preferred to achieve Hendrix’s classic Strat-style chime and articulation.
- Vintage-style or low-output single coils ideal for authentic blues dynamics.
- If using humbuckers, roll off tone and volume slightly to mimic clarity of single coils.
5. Ideal Guitar Type
- Vintage-style Stratocaster or Strat-style guitar with three single-coil pickups.
- Maple or rosewood fingerboard depending on personal preference—Hendrix often used rosewood.
- Reverse headstock optional for bending feel, as seen on Hendrix’s flipped Strat.
- Set up with light to medium gauge strings—good for bends and expressive vibrato.
Gear Recommended for Covering Red House
- Fender Stratocaster: Classic choice for replicating Hendrix’s tone, especially with single-coil pickups.
- Marshall Plexi Amp: Delivers the saturated blues-rock tones typical of Hendrix’s live sound.
- Wah Pedal (e.g., Dunlop Cry Baby): Adds expression and dynamic sweep, often used by Hendrix.
- Fuzz Face Pedal: Essential for achieving that rich, saturated fuzz tone.
- Uni-Vibe Pedal: Provides modulation and a swirling depth key to Hendrix’s psychedelic blues sound.
- Analog Delay Pedal: Helps thicken solos and create space similar to some of his studio ambience.
- Guitar Slide: Optional for stylized blues licks or expressive flourishes.
Tone Tips and Best Practices
- Use a Strat-style guitar with single-coil pickups for authentic articulation.
- Select the neck pickup for a warmer, rounder blues tone.
- Set amp to clean or lightly overdriven channel with high headroom.
- EQ amp: bass ~5, mids ~7–8, treble ~5–6 to emphasize mids and reduce harshness.
- Use light overdrive or a Germanium fuzz for solo sections; keep gain moderate.
- Roll guitar tone knob back slightly (~6–8) to smooth out highs.
- Add a touch of analog-style delay or spring reverb for space and depth.
- Set volume knob to allow dynamics; clean picking vs. full attack.
- Use 10–46 gauge strings for balanced bending and clarity.
- Pick attack should be varied—light during rhythm, heavy for emotional phrasing.
More Amp and Tone Settings Resources
Written by Bobby Kittleberger on Amp Settings
Written by Bobby Kittleberger on Artists & Amp Settings
We link to products on Sweetwater and REverb that help support our site and keep the lights on. If you click through our orange buttons, we might earn a commission at no extra cost to you. Thank you all for your generous support over the years! ~ Bobby and Danielle
Our disclosure↬


Comment Policy: You're down to leave a comment? That's awesome. Keep in mind that comments are moderated and rel="nofollow" is in use. Please avoid any spammy keywords or a domain as your name, otherwise your comment will be deleted. Let's stay on topic, keep questions relevant and have a meaningful conversation. All the best.