Run to the Hills Settings Resource
Amp, Guitar, and Pedals
Song: Run to the Hills
Artist: Iron Maiden
Amp Model/Type: Marshall JCM800
Guitar Type/Style: Electric (Super Strat)
Pedals/Effects: Overdrive
Run to the Hills Amp Settings Suggestions
- Gain (Pre-Amp): 7
- Bass: 5
- Middle: 6
- Treble: 7
- Presence: 6
- Master Volume: 5

Set your amp's output first (master), channel volume, then your EQ.
Guitar-Related Tone Tips
1. Volume
- Set volume to 100% on the guitar for full output and maximum gain saturation.
- Ensure amp volume provides enough headroom to stay articulate at high gain without distorting excessively.
2. Tone
- Guitar tone knob should be on full (10) to retain brightness and clarity.
- Amp EQ settings: Treble = 6-7, Mids = 4-5, Bass = 5-6 (adjust as needed depending on your amp).
- Use a slight boost in upper mids for enhanced punch and clarity in lead lines.
3. Pickup Selector
- Set the pickup selector to bridge position for tight rhythm and searing lead tones.
- Optional: Use neck pickup for smoother legato during solos if desired, but bridge is favored overall.
4. Humbucker or Single Coil Preferred?
- Humbuckers are strongly preferred due to their high output and noise-cancelling properties.
- A modern high-output bridge humbucker will better handle distortion and sustain.
5. Ideal guitar type which is a Electric (Super Strat)
- Super Strat-style electric guitar with double cutaway for upper fret access.
- Equipped with at least one high-output bridge humbucker (HSS or HSH configuration ideal).
- Fast neck with jumbo frets and flatter radius (12″-16″) for easier soloing and bending.
- Preferably has a locking tremolo system (e.g. Floyd Rose) for aggressive dive bombs and stability.
Gear Recommended for Covering Run to the Hills
- Jackson Dinky: Fast neck and high-output pickups ideal for metal solos.
- Gibson Les Paul Standard: Thick, powerful tone great for rhythm and leads.
- Marshall JCM800 Amp: Classic British metal sound with crunchy distortion.
- Boss DS-1 Distortion Pedal: Adds sharp, aggressive gain for solos.
- Dunlop Cry Baby Wah: Useful for expressive lead parts and solos.
- Ibanez Tube Screamer: Pushes the amp into classic overdrive territory.
- MXR Phase 90: Subtle modulation for added movement in leads.
- Ernie Ball Super Slinky Strings: Light gauge for quicker bends and fast runs.
- Shure SM57 Mic (for amp miking): Standard for capturing tight amp tones live or recorded.
- BOSS TU-3 Chromatic Tuner: Reliable tuning for precision required in metal playing.
Tone Tips and Best Practices
- Use aggressive palm muting for tight rhythm guitar sections
- Dial in mid-to-high gain amp settings for clarity and punch
- Scoop mids slightly for a classic metal tone, but retain some presence
- Use a bridge humbucker pickup for rhythm parts
- Switch to neck pickup or blend for smooth lead tones
- Employ fast alternate picking with high articulation in solos
- Set delay to low mix and short feedback for lead sustain
- Tune to standard E unless matching a specific live version
- Use a compressor to even out dynamic guitar phrases
- Double-track rhythm guitars for a wider stereo field
More Amp and Tone Settings Resources
Written by Bobby Kittleberger on Amp Settings
Written by Bobby Kittleberger on Artists & Amp Settings
We link to products on Sweetwater and REverb that help support our site and keep the lights on. If you click through our orange buttons, we might earn a commission at no extra cost to you. Thank you all for your generous support over the years! ~ Bobby and Danielle
Our disclosure↬


Comment Policy: You're down to leave a comment? That's awesome. Keep in mind that comments are moderated and rel="nofollow" is in use. Please avoid any spammy keywords or a domain as your name, otherwise your comment will be deleted. Let's stay on topic, keep questions relevant and have a meaningful conversation. All the best.