Say Hello 2 Heaven Settings Resource
Amp, Guitar, and Pedals
Song: Say Hello 2 Heaven
Artist: Temple of the Dog
Amp Model/Type: Marshall JCM900
Guitar Type/Style: Electric (Les Paul-style)
Pedals/Effects: Reverb, Overdrive
Say Hello 2 Heaven Amp Settings Suggestions
- Bass: 5
- Mid: 6
- Treble: 6
- Presence: 6
- Gain (Preamp): 7
- Reverb: 3
- Master Volume: 5
Note: The Marshall JCM900 typically includes controls for Gain (Preamp), Bass, Mid, Treble, Presence, Reverb, and Master Volume. Unlike high-gain amps such as Mesa Rectifiers or Diezel VH4s, the JCM900 has a more classic voicing and less complex EQ shaping, which suits the grunge/melodic rock tone of “Say Hello 2 Heaven” well when slightly overdriven and paired with ambient reverb and a warm EQ profile.

Set your amp's output first (master), channel volume, then your EQ.
Guitar-Related Tone Tips
1. Volume
- Set the guitar volume knob at full (10) to maintain clarity and sustain.
- Adjust amp volume as needed for dynamics without losing breakup in cleanish-crunch settings.
2. Tone
- Keep the tone knob around 7–8 for warmth while preserving definition.
- Aim for a slightly rolled-off treble to match the smooth, expressive lead tone.
3. Pickup Selector
- Use the neck pickup for the intro and smoother lead lines.
- Switch to the bridge pickup for richer, more biting tones during solos and heavier sections.
4. Humbucker or Single Coil Preferred?
- Humbuckers preferred for warmth, sustain, and fullness.
- They help replicate the saturated yet smooth tone of the original recording.
5. Ideal guitar type which is a Electric (Les Paul-style)
- Les Paul-style guitar with dual humbuckers is ideal.
- Mahogany body and set neck provide the resonance and sustain found in the song’s tone.
- Fretboard with medium jumbo frets aids expressive bends and vibrato similar to the original leads.
Gear Recommended for Covering Say Hello 2 Heaven
- Gibson Les Paul Standard: Thick, sustained tone suitable for grunge and hard rock leads
- Fender Twin Reverb: Clean platform amp with sparkling highs, great for layering effects
- Boss DS-1 Distortion: Classic distortion pedal for gritty rhythm and soaring solos
- Electro-Harmonix Big Muff Pi: Fuzz-style distortion for heavy, saturated tones
- Ibanez Tube Screamer TS9: Mid-boost overdrive, good for cutting through the mix
- Dunlop Cry Baby Wah: Essential for expressive lead work and dynamic solos
- MXR Phase 90: Adds subtle movement and depth to clean or driven tones
- Boss CE-2W Chorus: Recreates classic analog chorus used in many 90s rock ballads
- TC Electronic Hall of Fame Reverb: Versatile reverb with lush ambient textures
- Ernie Ball Volume Pedal: Useful for dynamic swells and controlling signal chain volume
Tone Tips and Best Practices
- Use a clean tube amp tone with moderate gain for warmth and sustain.
- Set amp EQ to: Bass ~5, Mid ~7, Treble ~6 for a balanced, vocal-like midrange.
- Utilize a bridge humbucker pickup for the main rhythm sections.
- Switch to neck pickup or roll tone knob slightly for smoother lead phrasing.
- Apply light analog delay or reverb to enhance ambience without muddying the signal.
- Use light compression to maintain sustain in clean intro passages.
- Keep palm muting tight during heavier rhythm sections to maintain clarity.
- Match dynamic shifts—play softly during verses and more aggressively in choruses.
- Maintain moderate string action to allow expressive bends and vibrato in solos.
- Tune to standard or down a half-step depending on vocal compatibility.
More Amp and Tone Settings Resources
Written by Bobby Kittleberger on Amp Settings
Written by Bobby Kittleberger on Artists & Amp Settings
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