Still Got the Blues Settings Resource
Amp, Guitar, and Pedals
Song: Still Got the Blues
Artist: Gary Moore
Amp Model/Type: Marshall JCM2000
Guitar Type/Style: Electric (Les Paul-style)
Pedals/Effects: Overdrive, Delay
Still Got the Blues Amp Settings Suggestions
- Bass: 6
- Middle: 7
- Treble: 6
- Presence: 5
- Gain (Lead Channel): 7
- Volume (Lead Channel): 4
- Reverb: 3

Set your amp's output first (master), channel volume, then your EQ.
Guitar-Related Tone Tips
1. Volume
- Set guitar volume knob close to 10 for full signal and sustain
- Control dynamics with picking strength rather than volume knob
- Use amp’s master volume or input gain to avoid clipping
2. Tone
- Roll off tone knob slightly (6–8) for a warmer, smoother lead
- Neck pickup tone control can be slightly lower (around 5–7)
- Amp EQ should emphasize mids while keeping treble smooth and not harsh
3. Pickup Selector
- Set toggle switch to the neck pickup for warm, creamy lead tones
- Occasionally use the middle position for solos with added clarity
- Bridge pickup is rarely used in this tone style, unless slightly rolled off
4. Humbucker or Single Coil Preferred?
- Humbuckers are preferred for their thick, smooth sustain and lack of harsh highs
- Ideal to use vintage-voiced or PAF-style humbuckers
- Single coils typically lack the round low end and creamy mids needed for this style
5. Ideal Guitar Type (Les Paul-style)
- Gibson Les Paul Standard or Custom models are ideal
- Mahogany body and neck with a carved maple top contributes to sustain and warmth
- Set-neck construction helps provide better resonance and sustain
- Keep guitar action set moderately low for expressive bends and vibrato
Gear Recommended for Covering Still Got the Blues
- Gibson Les Paul Standard: Iconic warm tone and sustain suited for blues solos.
- Marshall DSL40CR Combo Amp: Great for achieving creamy overdrive and classic rock tones.
- Ibanez TS808 Tube Screamer: Adds smooth overdrive for soulful lead tones.
- Boss DD-8 Digital Delay: Enhances lead lines with ambient echoes and space.
- Cry Baby GCB95 Wah Pedal: Useful for expressive phrasing and vocal-like tones.
- Ernie Ball Regular Slinky Strings (.010-.046): Balanced tone and playability for blues bends.
- Electro-Harmonix Holy Grail Reverb: Adds lush reverb to give depth to clean and lead sounds.
Tone Tips and Best Practices
- Use a neck pickup on a Les Paul-style guitar for a warm, singing tone.
- Set amp to moderate gain with strong mids and rolled-off treble for classic blues sustain.
- Add light reverb or delay to enhance lead lines without muddying the tone.
- Use a PAF-style humbucker for smooth overdrive and rich harmonics.
- Keep volume and tone knobs around 7–8 to allow expressive dynamics.
- Incorporate subtle finger vibrato and slow bends to emulate Gary Moore’s phrasing.
- Push amp into natural sustain with a transparent overdrive pedal if needed.
- Avoid excessive compression to retain dynamic response and clarity.
- Ensure precise intonation and string control, especially on bend-heavy phrases.
- Practice with backing track at reduced tempo to refine tone matching and articulation.
More Amp and Tone Settings Resources
Written by Bobby Kittleberger on Amp Settings
Written by Bobby Kittleberger on Artists & Amp Settings
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