Darkglass DG112A Settings Resource
Dials, Suggestions, and Tone Tips
Note: These settings are approximate and subject to the rest of your gear, They're meant to be helpful, but not exclusive..
Amp Model: Darkglass DG112A
Amp Type: Bass combo amp with analog overdrive
Controls: Drive texture select (Vintage or B3K); Drive knob; Blend knob; Level; Active/Passive switch; 4-band EQ (Low, Low‑Mid, Hi‑Mid, High); Compressor; Master; Aux In; Headphone; DI out with pre/post switch
Darkglass DG112A Settings Suggestions
Modern Punch (Rock/R&B Fusion)
Punchy mids and articulate highs, great for fingerstyle funk, R&B, and modern rock with some grit on top. Enough drive for warmth, but clean enough for clarity and slapping.
- Drive Texture: B3K
- Drive: 4
- Blend: 5
- Level: 6
- Compressor: 5
- Master: 6
- Low: 6
- Low-Mid: 7
- Hi-Mid: 6
- High: 6
- Active/Passive: Active
- DI Out: Pre
Bluesy Clean
A warmer, rounder tone with just a hint of grit. Perfect for old-school blues, jazz, or vintage soul. Emphasis on clean dynamics and low-mid thickness.
- Drive Texture: Vintage
- Drive: 2
- Blend: 3
- Level: 5
- Compressor: 4
- Master: 6
- Low: 7
- Low-Mid: 6
- Hi-Mid: 5
- High: 4
- Active/Passive: Passive
- DI Out: Pre
High-Gain Metal Drive
Aggressive, saturated and grindy tone for metal, djent, or industrial. Tight low end, scooped low-mids, and clear articulation in the hi-mids.
- Drive Texture: B3K
- Drive: 8
- Blend: 7
- Level: 6
- Compressor: 6
- Master: 7
- Low: 6
- Low-Mid: 4
- Hi-Mid: 8
- High: 6
- Active/Passive: Active
- DI Out: Post
Vintage Motown/Mellow Soul
Dark and pillowy low end with rolled-off highs for old-school thump. Ideal for flatwound strings and melodic groove playing. Think Jamerson-inspired tones.
- Drive Texture: Vintage
- Drive: 3
- Blend: 2
- Level: 5
- Compressor: 7
- Master: 5
- Low: 8
- Low-Mid: 7
- Hi-Mid: 3
- High: 2
- Active/Passive: Passive
- DI Out: Pre
Modern Slap & Studio Funk
Tight and punchy, optimized for percussive slap and pop techniques. Boosted high mids and treble clarity, with mild compression for even tone response.
- Drive Texture: B3K
- Drive: 3
- Blend: 4
- Level: 6
- Compressor: 8
- Master: 6
- Low: 6
- Low-Mid: 5
- Hi-Mid: 7
- High: 8
- Active/Passive: Active
- DI Out: Post
Gear Suggestions for the Darkglass DG112A
- Fender Jazz Bass: Excellent clarity and articulation that complements the DG112A’s hi-fi voicing, making it ideal for funk, fusion, and modern rock.
- Music Man StingRay 5: Tight low-end response and aggressive midrange pair well with the DG112A for punchy tone in metal and prog settings.
- Darkglass Microtubes X7: Multi-band distortion with a clean low end and gritty high end, giving the DG112A more tonal flexibility for heavier genres.
- Lehle BassSwitch IQ DI: Premium signal routing and clean boosting, allowing you to make the most of the DG112A’s dynamic range and maintain tonal integrity.
- Sadowsky MetroExpress: Active electronics offer a wide tonal palette, enhancing the DG112A’s responsiveness and transparency for both studio and live use.
More Tone Tips and Best Practices
- Store in a cool, dry environment to avoid speaker cone degradation.
- Keep away from direct sunlight and excessive dust exposure.
- Use a padded cover or case during transport to prevent cosmetic and structural damage.
- Ideal volume level is 50–75% of amp head’s output for optimal tone and speaker longevity.
- Avoid sustained peak output to prevent voice coil overheating.
- Position at ear or waist level during live use for clearer stage monitoring.
- Excellent for both live performances and studio work due to tight, articulate response.
- Pair with Darkglass heads for best tonal synergy and performance.
- For recording, mic the cabinet slightly off-center from the cone to capture punch and clarity.
- Allow speaker to warm up at moderate volume before high-output playing sessions.
More Amp and Tone Settings Resources
Written by Bobby Kittleberger on Amp Settings
Written by Guitar Chalk on Song Settings
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