Updated by Bobby
Recently updated on August 19th, 2020
Updated our DL4 rating in the Cost/Value column, dropping it from 83 to 78 to account for the recent increase in the unit's retail price.
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Line 6 DL4 Delay Pedal Review: Score & Summary
Though it doesn't have any analog circuits, the DL4 earns its keep by being extremely flexible, easy to use, and allowing you to bank any mode or setting with three footswitch-engaged presets. These features have made it one of the most popular delay pedals on the market with amateurs and pros alike.
I've owned the Line 6 DL4 for a long time.
I bought it back in 2014, which you can see on my Amazon account here from the "last purchased" tag:
In this review I'll cover my experience with the popular delay modeler.
We'll talk about the features, functionality, the sound quality, and how I've been able to use the DL4 in a variety of situations. We'll also go over some basic how-to questions that will help you get over the learning curve quicker.
First, let's start with a weighted ratings table for the DL4 that'll help frame some context for our review:
DL4 Ratings Table
Point Value (%)
1. Overall Tone
2. Tweaking & Versatility
3. Build Quality
4. Volume Handling
5. Bypass Handling
6. Processing (DSP or analog)
7. Ease of Use
When I updated this ratings table for the DL4, I gave it a lower score for the Cost/Value category, since it has actually gone up in price since I bought it. When I bought the unit, I paid around $210. Since then, it has jumped up in price to around $300.
We're also giving a slightly lower grade in Bypass Handling and Processing, since it doesn't have true bypass and there are no analog circuits. However, this number hasn't changed since our original review was published.
Even with the aforementioned weaknesses, the pedal's score in tone quality and versatility are enough to get it into the 90-plus "Editor's Choice" category.
Line 6 DL4 Review & Comparison Table
The DL4, once one of the most popular high-functioning digital delay pedals is seeing more competition in recent years from Strymon's delay boxes, primarily the large Timeline and smaller El Capistan. These two pedals, though more expensive than the DL4, are also worth considering if you're in the market for a digital delay pedal with a lot of tinkering power.
Line 6 DL4 Delay Modeler
Strymon Timeline Delay
Boss DM-2w Waza Craft Delay
Strymon El Capistan Delay
Our DL4 Demo Video
Our video demo is just a simple run-through of all the delay algorithms in the DL4 with some basic tweaking. While this certainly doesn't showcase all of the pedal's potential, it gives you an idea of what you can expect if/when you pick one up for yourself.
We've been able to take some good pictures of the DL4 since we have this one in the office. My apologies for the scrapes and stickers on the unit. This one has gotten a lot of use over the past few years.
Line 6 DL4 Review Quick Hits
Ideal Skill Level
10" x 6" x 2.4"
Max Delay Time
IDEAL FOR: Playing live, recording, pop, rock, and most modern electric guitar pedalboards, both on the rhythm and lead styles
In the following box we've aggregated all of the major review sites for this pedal and compiled them in a filled bar to give you an idea of how much critical/positive reception the DL4 gets. Out of 346 total review (as of August 2020), the DL4 has pulled in 301 positive takes, which is at least three out of five stars or higher.
The next graphic is a plotting of the Line 6 DL4's price over the past few years on Reverb. Since Reverb is primarily a used guitar gear marketplace, these prices are a good deal cheaper than typical retail. However, you can see the bump earlier in 2020 where the price went up from around $135 to over $160.
The DL4's Effect Quality and Sound
In my opinion, and experience, the strongest delay algorithm on the DL4 is the RHYTHMIC mode which gives you a tight, percussive delay that can be clearly and easily timed on the fly with the tap tempo button.
Using the RHYTHMIC Delay and Setting the Tap Tempo
Follow these steps to setup and test the RHYTHMIC delay mode on your DL4:
- Set the mode knob to RHYTHMIC DELAY
- Set delay time and repeats to your liking
- Set the MIX knob to 12 o'clock
- Use the tap tempo button (1/2 speed) to reset the delay time as you play
Here's a quick shot of how I usually start out with the RHYTHMIC DELAY mode on my DL4:
I've also really liked using the REVERSE mode and the AUTO-VOLUME ECHO, two things that you don't typically think about having in a delay pedal.
If you turn the MIX all the way up on the Auto-Volume Echo mode, you can get a really natural-sounding volume swell, which I used on this Tool cover for the intro on "Fear Inoculum:"
The other modes all sound good, though some tend to blend together with a ton of discrepancy between them. For example, it's hard to tell a significant difference between the Analog with Modulation mode and the Digital with Modulation mode. Also, Tape Echo and Analog Echo are fairly similar sounds.
You'll need to keep in mind that as you're making adjustments to your sounds with the controls, the delay time, repeats, and mix knobs will have the most profound impact on your sound, while the TWEAK and TWEEZ knobs will function differently depending on which mode you choose.
For example, on the delays with modulation modes, those two knobs (Tweak and Tweez) function as rate and depth controls for the modulation.
On some modes, they don't have any function.
You can refer to the DL4 user manual for a list of what the Tweak and Tweez knobs do for each mode.
Overall, the sound quality is good and on par for what you'd expect out of a digital delay. It doesn't sound as good as the Strymon Timeline, nor does it meet the tone quality of the nicer analog delay pedals on the market, but it's still above average, with functionality to make up for the lack of tonal fabulosity.
Here's one more audio-only demo we did with the DL4, pairing with a Walrus Audio reverb pedal:
Tone Highlights and Descriptors
- Percussive and rhythm-friendly
- Long echo trails and plenty of flexibility
- More subtle than choppy
- Analog and tape echo models still sound digital
- A lot of modes sound more warm than bright
- Modulation plays a big role and comes through clearly with the ambience
Functionality and Features
As we've already mentioned, the DL4 is primarily controlled by five knobs, three of which we'd expect out of any good delay pedal.
- Delay Time
This is where the bulk of your control comes from, though the DL4 also gives you some additional functionality, namely the following:
- Looping feature
- Tap tempo
- Modulation control (tweak and tweez knobs)
Of these three features the tap tempo is - by far - the one I've used the most. The looping adds a lot of flexibility to the unit as well, though I just didn't find myself using it as much with an electric guitar. I do know players who are primarily acoustic artists that enjoy this feature a lot.
Back Panel and Connections
If you turn the pedal around, you'll see that the back panel provides some notable functionality, namely a stereo input and output connection:
We've never tested the expression pedal, though depending on the particular type of expression pedal you pair it with you can control different control mechanisms on the fly. Since the tap tempo changes the delay time already, we'd imagine controlling the repeats or mix would be the only useful applications for expression.
How to Hook Up the Stereo Connection
In most cases, a single guitar pedal will run a "mono" connection, meaning you'll run one instrument cable in and a second one out of the pedal. If that's how you're setting up the DL4 (which in most cases you will be), use the input and output labeled "MONO/L."
A second less common configuration is to run two lines out of the pedal, perhaps to two different amplifiers.
In this case, you'd run your input into the MONO/L jack and then run two instrument cables from the left and right output jacks on the back panel of the DL4, pictured above.
Value of the Line 6 DL4
Though we'd still consider the DL4 a good value, the increase in price over the past couple years has certainly cut into our enthusiasm.
At $300 retail, it has taken a big leap from a previously manageable $200-$220 price range. Here's a screenshot of the pedal's Sweetwater entry showing a price of $299.99:
This brings the DL4 dangerously close to the Strymon Timeline's price point at $450, where the Timeline is a far better and more modernized digital delay box.
This makes the decision between the DL4 and something like the Timeline a lot more difficult.
Do you put up the extra $150 and get the Timeline, or do you go with the cheaper, yet somewhat inflated price of the DL4?
We still think the DL4 is a strong enough delay pedal to be worth the $300.
Though we'd certainly give it a higher score in the value column (currently 78/100) if it were to drop the price back down towards $250 or even lower, where it once comfortably sat. Currently, it's a bit of an over-payment, though not enough to keep us from recommending the DL4 in a lot of situations.
Who would we recommend it to?
And this begs the question:
In which situations and scenarios would we recommend the DL4?
For starters, this pedal is extremely useful and helpful in a live context. Particularly for small gigs or even church worship teams where you're playing a lot of rhythmic electric guitar, a pedal like the DL4 will get plenty of use.
We also like it for acoustic artists, especially if you do looping or any kind of background rhythm work.
It will also have a lot of appeal in a more traditional context, for a lead electric guitarist that just needs some ambience and some subtle delay tones for their melodies or rhythm riffs. Even at $300, it's still one of our favorite delay pedals to recommend.
Other Line 6 DL4 Review Resources
Your Questions and Comments
Do you have questions about the Line 6 DL4 or our review process? If so, feel free to leave them in the comments section below and I'll help out as best I can.