Phil Jones BG-120 Bass Cub Pro Settings Resource
Dials, Suggestions, and Tone Tips
Note: These settings are approximate and subject to the rest of your gear, They're meant to be helpful, but not exclusive..
Amp Model: Phil Jones BG-120 Bass Cub Pro
Amp Type: Bass combo amp
Controls: Gain; Active/Passive input switch; 5‑band EQ; Aux-in; Headphone out; Line out; XLR DI (ground lift); FX Send/Return blend; Extension speaker output

Phil Jones BG-120 Bass Cub Pro Settings Suggestions
Smooth Bluesy Clean
Warm and expressive with subtle low-mid presence and rolled-off highs. Ideal for fretless or vintage-style sounds.
- Gain: 3
- Input Switch: Passive
- Bass: 6
- Low Mid: 7
- Mid: 5
- High Mid: 4
- Treble: 3
- FX Blend: 0 (dry signal only)
Modern Slap & Pop
Tightly scooped mids with extended highs and lows to emphasize percussive attack and note clarity.
- Gain: 5
- Input Switch: Active
- Bass: 7
- Low Mid: 4
- Mid: 3
- High Mid: 6
- Treble: 7
- FX Blend: 0 (dry or minimal effects)
Classic Rock Grit
Pushed but still defined tone with upper-midrange punch, warming low end, and organic drive character.
- Gain: 7
- Input Switch: Passive
- Bass: 6
- Low Mid: 6
- Mid: 7
- High Mid: 5
- Treble: 4
- FX Blend: 3 (light saturation or chorus)
High Gain Dirty Fuzz
Maximized gain level for pedal or preamp fuzz/distortion shaping; EQ tightens low end while boosting attack bite.
- Gain: 9
- Input Switch: Active
- Bass: 5
- Low Mid: 4
- Mid: 6
- High Mid: 7
- Treble: 6
- FX Blend: 5 (blend in drive/fuzz pedals)
Warm Jazz Fingerstyle
Even response with slight mid bump and rolled-off highs. Transparent and articulate, tailored for upright and fingerstyle jazz.
- Gain: 4
- Input Switch: Passive
- Bass: 5
- Low Mid: 6
- Mid: 6
- High Mid: 5
- Treble: 3
- FX Blend: 0 (dry acoustic-style tone)
Gear Suggestions for the Phil Jones BG-120 Bass Cub Pro
- Fender Jazz Bass: Known for its articulate mids and versatility, pairs excellently with the BG-120’s clean, transparent tone for everything from funk to fusion.
- Sadowsky Metroline PJ Bass: The P/J pickup configuration offers tonal flexibility, while its active EQ enhances the amp’s clarity and tight low end.
- MXR M81 Bass Preamp: Compact EQ and DI pedal that works great with the BG-120’s flat response, adding precise control over tone shaping without coloration.
- Darkglass Hyper Luminal Compressor: High-end compression that adds punch and dynamic control, complementing the amp’s natural feel without overpowering your sound.
- Walrus Audio Julia Chorus: Lush analog chorus that pairs beautifully with the BG-120 for ambient or lo-fi textures, especially effective in quieter, more expressive playing situations.
More Tone Tips and Best Practices
- Keep EQ settings mostly flat to preserve the natural tone of your instrument; adjust only as needed for room acoustics.
- Use high-quality instrument cables to avoid introducing unwanted noise or tone loss.
- Position the amp at ear level or tilt it upward to improve clarity and projection in small venues or practice spaces.
- Set master volume conservatively for home use; increase gradually in live settings to avoid speaker distortion.
- Store the amp in a dry, temperature-stable environment; avoid exposure to direct sunlight or moisture.
- Use the line-out or DI output for connecting to a PA system during live performances for optimal front-of-house sound.
- Ideal for practice, small gigs, and studio work; may require external support or PA reinforcement for large venues.
- Allow the amp to cool down after extended use before transporting to prevent thermal stress.
- Avoid overdriving the input gain; set gain just below clipping to retain clean, dynamic tone.
- Use an extension cabinet (where available) to increase speaker surface area and on-stage presence if needed.
More Amp and Tone Settings Resources
Written by Bobby Kittleberger on Amp Settings
Written by Guitar Chalk on Song Settings
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